We offer free international shipping from artist's studio to your address (business or residential). Shipping time varies. However, usually, the whole process (preparation of customs documents, art packaging, shipping, and customs clearance in the country of arrival) takes about 2-3 weeks. Artist will securely pack the artwork, complete and sign Certificate of Authenticity and personally send the piece to you.
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'Beginning of the Stop 44-2018' Abstract Oil Painting by Seungyoon Choi
Dimensions: 162 x 97 cm (63.8 x 38.2 ")
Medium: oil on canvas
Conditions: new artwork
Shipping: this abstract oil painting will be shipped to your address for free from artist's studio in South Korea. It will be delivered in a tube and will need to be mounted on stretchers or framed.
Certificate of Authenticity: you will receive the COA (certificate of authenticity) signed and dated by the artist to prove that the artwork is original.
Seungyoon Choi is inspired and motivated by the rule of opposing forces. His practice is engaged with gestural abstraction: colors are vibrant, brush strokes are intuitive, movements are expressive, artworks are mainly large and overwhelming, just as their emotional impact is. Seungyoon's paintings have an innate movement, and yet they have a stop, they are bounded. The artist’s creative idea is about simplicity and complexity, big and small, movement and stillness.
Seungyoon Choi believes that the ’Beginning of the Stop’ is the basic rule of the world. There are two interpretations of a ‘Beginning’ and a ‘Stop’. Blue is generally defined as cool color tone. However, the hottest parts of fire appear to be blue as well, same as the hottest stars in the Universe. This is an example of opposing forces, and that is why blue always appears in the artist’s works.
Seungyoon Choi abstract oil paintings follow abstract expressionism art traditions and are executed on large canvases with dynamic interplays of colors. All works are from Seungyoon Choi’s collections ‘Beginning of the Stop’, 2015-2016 and ‘Cross-section of the moment’, 2017.